
Two Heavenly Deities
Shan Hai Jing series · Sculptural design
SHAN HAI JING
Myths Awaken · Mountains and Seas Return
We speak of ancient Egypt, ancient Babylon and ancient India, yet rarely of an 'ancient China' set apart from the present. Heaven and earth remain silent, the cosmos turns, and through countless years of upheaval Chinese civilization has continued into our own time. Its wisdom has passed through the world in many forms. If you choose to reach for it, it is close at hand; it has never left. This wisdom does not exist in isolated fragments. It is a whole, unbounded by time or space, and any point can lead you back to its source.Following the current back to its source, I trace this wisdom to three books: the Book of Heaven, the I Ching; the Book of Humanity, the Huangdi Neijing; and the Book of Earth, the Shan Hai Jing. They form a trinity: the I Ching is the root, the Huangdi Neijing the trunk, and the Shan Hai Jing the leaves and fruit. Grounded in these books, I hope to carry forward and share the wisdom of Chinese civilization through art.The Shan Hai Jing therefore enters the world as the first chapter of my Heaven, Earth and Humanity series, under the name Shanhai Universe.Twelve years have passed almost without my noticing. Along the way, while respecting the original text, I have given its contents form through 809 sculptures, 3,407 totems, a bronze-script translation and typeface design for all 31,000 characters (bronze script is pictographic and can make the meaning of the original more visible), 400,000 characters of classified writing, the eight-metre oil painting Shanhai Scroll, more than 600 drawings, and my interpretation of this wisdom. These have been organized into six systems.Why present the Shan Hai Jing through systems? Because it encompasses an immense world of its own, recording ancient astronomy, geography and human culture. Through art, the six systems reorganize, classify and connect the vast, interrelated contents of the original, making them easier to see and understand. The book brings together our team’s many years of work. We believe that approaching the Shan Hai Jing through these six systems offers an entirely different experience.
Shan Hai Jing: 80% complete · I Ching: 20% complete · Huangdi: 10% complete
SYSTEM
The Sculptural System is the visual language of forms in the Shan Hai Jing series. It comprises 809 sculptural designs across the complete series, creating a library of forms that can be used and adapted within the project.
SYSTEM
The Painting and Drawing System comprises the eight-metre Shanhai Scroll and 606 hand-drawn studies. Together they form a library of visual material that can be used and adapted within the Shan Hai Jing series.
SYSTEM
The Narrative System organizes and interprets 400,000 Chinese characters of text to form a complete worldview, with scripts, main storylines and side stories for both the online and physical worlds. It provides detailed writing, character genealogies, explanations of names and terms, mythological stories, and my interpretation of the Shan Hai Jing: a library of narrative material that can be used and adapted within the series.
SYSTEM
The Bronze Script System translates the entire 31,000-character text into pre-Qin bronze script. Also known as bell-and-cauldron inscriptions, bronze script was cast or carved into bronze objects and, like oracle-bone script, carries the wisdom of ancient civilization. These characters have been redesigned as an original typeface for the Shanhai Universe, giving the series a distinctive written identity and an inner core of meaning.
SYSTEM
The Totem System comprises 3,407 original symbols, forming a language that can be read, recognized and applied. These original totems correspond to the complete source text and combine into a fully developed reading system. Conceived as an Eastern mode of profound, abstract expression that can communicate across barriers worldwide, it is the unique language of the Shanhai Universe.
SYSTEM
As the container for the other five systems, the World System connects sculptural forms, painting and drawing, narrative, bronze script and totems into a coherent whole. It gives the Shanhai Universe its own geography, calendar, tribes, titles and other structures, shaping both its worldview and the organization of its world. This common framework supports physical exhibitions as well as many forms of online expression, opening further possibilities for presenting the Shan Hai Jing series as a whole.
FROM SHAN HAI JING INTO DAILY LIFE
INQUIRIES
Works · Exhibitions · Curating · Collaborations
SHANHAI.ART